1. | | Eldorado | 2018 |  | 7,0 | | | | | 35% | | |
2. | | Neben den Gleisen | 2016 |  | 6,8 | | | | | 34% | | |
3. | | What She Said: The Art of Pauline Kael | 2018 |  | 7,0 | | | | | 35% | 327 | |
4. | | Die Kinder sind tot | 2003 |  | 7,5 | | | | | 38% | | |
5. | | Peter Pfister – Der Pferdemann | 2019 |  | | | | | | 50% | 1 | |
6. | | Tod in Texas | 2011 |  | 7,3 | 0% | 76% | | | 37% | | |
7. | | Life in Stills | 2011 |  | 7,8 | 0% | 0% | | | 39% | | |
8. | | African Mirror | 2019 |  | 6,3 | | | | | 32% | 199 | |
9. | | Bulb Fiction | 2011 |  | 7,4 | 0% | 0% | | | 37% | | |
10. | | I Am Ali | 2014 |  | 7,2 | 59% | 59% | 55,0 | | 40% | 3.599 | |
11. | | Volksvertreter | 2022 |  | | | | | | 50% | | |
12. | | Entre les Bras – 3 Sterne. 2 Generationen. 1 Küche. | 2012 |  | 6,2 | 67% | 45% | | | 31% | 541 | |
13. | | Terra X: Deutschland von oben | |  | 7,7 | | | | | 39% | | |
14. | | Tardi – Schwarz auf Weiß | 2014 |  | | | | | | 50% | 203 | |
15. | | Sympathisanten – Unser Deutscher Herbst | 2018 |  | 6,2 | | | | | 31% | 419 | |
16. | | Where to, Miss? – Eine Frau kämpft für Ihren Traum | 2016 |  | 7,5 | | | | | 38% | 1.367 | |
17. | | Waiting for the Carnival | 2019 |  | 7,7 | | | | | 39% | | |
18. | | MansFeld | 2013 |  | 6,5 | 0% | 0% | | | 33% | | |
19. | | Klitschko | 2011 |  | 7,7 | 0% | 84% | | | 39% | 6.997 | |
20. | | Das Forum | 2019 |  | | | | | | 50% | | |
21. | | Democracy – Im Rausch der Daten | 2015 |  | 7,1 | | | | | 36% | 1.393 | |
22. | | Winternomaden | 2012 |  | 7,5 | 0% | 100% | 77,0 | | 58% | 825 | |
23. | | Gangsterläufer | 2011 |  | 7,5 | 0% | 0% | | | 38% | 1.059 | |
24. | | Scala Adieu – Von Windeln verweht | 2018 |  | 8,1 | | | | | 41% | 761 | |
25. | | Agnès Varda - Publikumsgespräche | 2019 |  | 7,7 | | | | | 39% | | |
26. | | Herr von Bohlen | 2015 |  | 7,1 | | | | | 36% | | |
27. | | Das Salz der Erde | 2014 |  | 8,5 | 0% | 90% | 83,0 | 8,3 | 71% | 0 | |
28. | | Untitled | 2017 |  | 7,4 | | | | | 37% | 1.857 | |
29. | | Taste the Waste | 2010 |  | 7,6 | | | | | 38% | 25.876 | |
30. | | Verbotene Filme | 2014 |  | 6,8 | | | | | 34% | | |
31. | | Die Rote Linie – Widerstand im Hambacher Forst | 2019 |  | 7,4 | | | | | 37% | 1.473 | |
32. | | Verdun – sie werden nicht durchkommen | 2013 |  | | | | | | 50% | | |
33. | | Allein die Wüste | 2012 |  | | | | | | 50% | | |
34. | | Alpgeister – Mythen und Mysterien der Bayerischen Alpen | 2019 |  | | | | | | 50% | 128 | |
35. | | I Am Not Your Negro | 2016 |  | 7,8 | 98% | 83% | | | 39% | 213.802 | |
36. | | Der Iran Job | 2012 |  | 7,1 | 89% | 75% | | | 36% | 2.827 | |
37. | | The Other Side Of The River | 2022 |  | | | | | | 50% | | |
38. | | Die Kunst der Stille | 2022 |  | | | | | | 50% | | |
39. | | Von Caligari zu Hitler | 2014 |  | 7,3 | 0% | 78% | | | 37% | 1 | |
40. | | Sauacker | 2013 |  | 0,0 | | | | | 0% | 460 | |
41. | | Papst Franziskus – Mann seines Wortes | 2018 |  | 6,4 | 0% | 77% | | | 32% | 0 | |
42. | | Sunset over Hollywood | 2019 |  | 7,7 | | | | | 39% | | |
43. | | Zero Days | 2016 |  | 7,8 | 0% | 74% | 78,0 | 7,3 | 61% | 0 | |
44. | | Flee | 2021 |  | 8,0 | | | | | 40% | | |
45. | | Beyond Punishment | 2015 |  | 7,2 | | | | | 36% | | |
46. | | The Substance – Albert Hofmanns LSD | 2011 |  | 7,1 | 0% | 67% | | | 36% | 23 | |
47. | | War Photographer | 2001 |  | 8,0 | 80% | 92% | | | 40% | | |
48. | | Berlin – Die Sinfonie der Großstadt | 1927 |  | 7,6 | 0% | 0% | | | 38% | | |
49. | | Wiedersehen mit Brundibár | 2014 |  | 6,9 | | | | | 35% | 1.463 | |
50. | | Das System Milch | 2017 |  | 7,1 | | | | | 36% | | |
51. | | When Tomatoes Met Wagner | 2019 |  | 6,4 | | | | | 32% | 657 | |
52. | | The Big Eden | 2011 |  | 7,3 | 0% | 0% | | | 37% | 131 | |
53. | | Die Kinder vom Napf | 2011 |  | 6,5 | 0% | 0% | | | 33% | | |
54. | | Herr Wichmann aus der dritten Reihe | 2012 |  | 7,2 | 0% | 0% | | | 36% | 207 | |
55. | | Hitlers Hollywood – Das deutsche Kino im Zeitalter der Propaganda 1933–45 | 2017 |  | 6,7 | | | | | 34% | | |
56. | | Blacktape | 2015 |  | 5,7 | 0% | 0% | | | 29% | 2.254 | |
57. | | Marley | 2012 |  | 8,0 | 0% | 90% | 82,0 | 8,3 | 66% | 4.779.305 | |
58. | | Gestrandet | 2016 |  | 6,5 | | | | | 33% | 167 | |
59. | | Woody Allen: A Documentary | 2011 |  | 7,7 | | | | | 39% | 4.647 | |
60. | | Call Me Kuchu | 2012 |  | 7,6 | 98% | 88% | 80,0 | 6,0 | 61% | 5.300 | |
61. | | Samsara | 2011 |  | 8,5 | 0% | 87% | 65,0 | 8,2 | 55% | 89.489 | |
62. | | Tokyo-Ga | 1985 |  | 7,3 | 0% | 78% | | | 37% | | |
63. | | Der Fall Chodorkowski | 2011 |  | 7,0 | | | | | 35% | 132 | |
64. | | Die Grube | 2019 |  | 8,0 | | | | | 40% | 209 | |
65. | | Where to Invade Next | 2015 |  | 7,5 | 78% | 77% | 63,0 | 6,7 | 47% | 85.788 | |
66. | | Speed – Auf der Suche nach der verlorenen Zeit | 2012 |  | 6,8 | 0% | 0% | | | 34% | 2.209 | |
67. | | Workingman’s Death | 2005 |  | 7,9 | 0% | 95% | 67,0 | 6,8 | 53% | | |
68. | | Drachenmädchen | 2012 |  | 7,3 | 0% | 78% | | | 37% | 2.027 | |
69. | | Berlin Excelsior | 2017 |  | 6,6 | | | | | 33% | 199 | |
70. | | Brecht | 2019 |  | 6,2 | | | | | 31% | | |
71. | | Buck – Der wahre Pferdeflüsterer | 2011 |  | 7,6 | 89% | 89% | 76,0 | 6,8 | 58% | 135.311 | |
72. | | Neukölln Unlimited | 2010 |  | 7,2 | 0% | 0% | | | 36% | 1.877 | |
73. | | We Feed the World – Essen global | 2005 |  | 7,5 | 0% | 79% | | | 38% | 2.975 | |
74. | | We Are All Detroit – Vom Bleiben und Verschwinden | 2021 |  | 6,8 | | | | | 34% | | |
75. | | Die Wirklichkeit kommt | 2014 |  | -1,0 | 0% | 0% | | | -5% | 281 | |
76. | | Buena Vista Social Club | 1999 |  | 7,6 | 0% | 90% | 81,0 | 7,8 | 62% | | |
77. | | The Look – Charlotte Rampling | 2011 |  | 6,7 | 84% | 50% | 58,0 | | 39% | | |
78. | | Der große Demokrator | 2013 |  | 6,6 | | | | | 33% | 205 | |
79. | | Kedi – Von Katzen und Menschen | 2016 |  | 7,7 | 0% | 84% | | | 39% | 6.724 | |
80. | | Vom Bauen der Zukunft – 100 Jahre Bauhaus | 2018 |  | 6,7 | | | | | 34% | 2.386 | |
81. | | BRASCH – Das Wünschen und das Fürchten | 2011 |  | 6,5 | 0% | 0% | | | 33% | | |
82. | | Messner | 2012 |  | 7,1 | 0% | 0% | | | 36% | 5.008 | |
83. | | More than Honey | 2012 |  | 7,6 | 0% | 79% | 70,0 | 7,4 | 53% | 8.893 | |
84. | | Krieg und Spiele | 2016 |  | 6,8 | | | | | 34% | | |
85. | | Day Is Done | 2011 |  | 6,9 | 0% | 0% | | | 35% | | |
86. | | Dem Himmel ganz nah | 2010 |  | 7,9 | | | | | 40% | | |
87. | | How to Make a Book With Steidl | 2010 |  | 7,2 | 0% | 82% | | | 36% | 1.307 | |
88. | | Der Papst ist kein Jeansboy | 2011 |  | 6,8 | | | | | 34% | | |
89. | | Fair Traders | 2018 |  | 6,9 | | | | | 35% | 482 | |
90. | | Lord of the Toys | 2018 |  | 6,6 | | | | | 33% | 0 | |
91. | | Searching Eva | 2019 |  | 6,5 | | | | | 33% | 966 | |
92. | | Die Mondverschwörung | 2011 |  | 7,6 | | | | | 38% | 1.253 | |
93. | | 1917 – Der wahre Oktober | 2017 |  | 7,0 | | | | | 35% | 277 | |
94. | | Adopted | 2011 |  | 7,3 | 0% | 0% | | | 37% | 274 | |
95. | | Mein Herz sieht die Welt schwarz | 2009 |  | 7,9 | 0% | 0% | | | 40% | | |
96. | | Hello I Am David! – Eine Reise mit David Helfgott | 2015 |  | 7,3 | 0% | 100% | | | 37% | 1.053 | |
97. | | Une rose ouverte / Warda | 2019 |  | | | | | | 50% | | |
98. | | Dürrenmatt – Eine Liebesgeschichte | 2015 |  | 6,7 | | | | | 34% | 2.365 | |
99. | | Fighter | 2016 |  | 8,1 | | | | | 41% | 872 | |
100. | | Land in Sicht | 2013 |  | 5,9 | 0% | 0% | | | 30% | 633 | |