1. | | Allein die Wüste | 2012 | | | | | | | 50% | | |
2. | | You drive me crazy | 2012 | | 6,9 | 0% | 60% | | | 35% | 199 | |
3. | | Die Wirklichkeit kommt | 2014 | | -1,0 | 0% | 0% | | | -5% | 281 | |
4. | | Wiedersehen mit Brundibár | 2014 | | 6,9 | | | | | 35% | 1.463 | |
5. | | Verdun – sie werden nicht durchkommen | 2013 | | | | | | | 50% | | |
6. | | Happy | 2016 | | 7,4 | | | | | 37% | 498 | |
7. | | The Cleaners | 2018 | | 7,2 | 0% | 75% | | | 36% | | |
8. | | They Shall Not Grow Old | 2018 | | 8,2 | | | | | 41% | 20.058 | |
9. | | Am Limit | 2007 | | 7,2 | 80% | 76% | 71,0 | | 51% | 165 | |
10. | | #Female Pleasure | 2018 | | 7,6 | | | | | 38% | 2.667 | |
11. | | Volksvertreter | 2022 | | | | | | | 50% | | |
12. | | Entre les Bras – 3 Sterne. 2 Generationen. 1 Küche. | 2012 | | 6,2 | 67% | 45% | | | 31% | 541 | |
13. | | Workingman’s Death | 2005 | | 7,9 | 0% | 95% | 67,0 | 6,8 | 53% | | |
14. | | Call Me Kuchu | 2012 | | 7,6 | 98% | 88% | 80,0 | 6,0 | 61% | 5.300 | |
15. | | Verbotene Filme | 2014 | | 6,8 | | | | | 34% | | |
16. | | Tanja – Life in Movement | 2011 | | 7,4 | 0% | 91% | | | 37% | 487 | |
17. | | Day Is Done | 2011 | | 6,9 | 0% | 0% | | | 35% | | |
18. | | Die Rote Linie – Widerstand im Hambacher Forst | 2019 | | 7,4 | | | | | 37% | 1.473 | |
19. | | Tokyo-Ga | 1985 | | 7,3 | 0% | 78% | | | 37% | | |
20. | | Hundesoldaten | 2016 | | 7,8 | | | | | 39% | | |
21. | | PUSH – Für das Grundrecht auf Wohnen | 2019 | | 7,2 | | | | | 36% | 454 | |
22. | | Land in Sicht | 2013 | | 5,9 | 0% | 0% | | | 30% | 633 | |
23. | | DramaConsult | 2013 | | 0,0 | 0% | 0% | | | 0% | 95 | |
24. | | Bulb Fiction | 2011 | | 7,4 | 0% | 0% | | | 37% | | |
25. | | Krieg und Spiele | 2016 | | 6,8 | | | | | 34% | | |
26. | | Die Geheimnisse des Schönen Leo | 2018 | | 6,9 | | | | | 35% | 137 | |
27. | | Rhythm Is It! | 2004 | | 7,8 | 0% | 84% | | | 39% | | |
28. | | Messner | 2012 | | 7,1 | 0% | 0% | | | 36% | 5.008 | |
29. | | Speed – Auf der Suche nach der verlorenen Zeit | 2012 | | 6,8 | 0% | 0% | | | 34% | 2.209 | |
30. | | Nach der Stille | 2011 | | 7,7 | 0% | 0% | | | 39% | | |
31. | | 10 Milliarden – Wie werden wir alle satt? | 2015 | | 7,3 | 0% | 0% | | | 37% | 3.984 | |
32. | | Where’s the Beer and When Do We Get Paid? | 2013 | | 7,8 | | | | | 39% | | |
33. | | The Look – Charlotte Rampling | 2011 | | 6,7 | 84% | 50% | 58,0 | | 39% | | |
34. | | Fair Traders | 2018 | | 6,9 | | | | | 35% | 482 | |
35. | | Eldorado | 2018 | | 7,0 | | | | | 35% | | |
36. | | Töte zuerst | 2012 | | 7,6 | 94% | 79% | | | 38% | 2.771 | |
37. | | Neben den Gleisen | 2016 | | 6,8 | | | | | 34% | | |
38. | | Der Clown | 2016 | | 7,9 | | | | | 40% | | |
39. | | Die Mondverschwörung | 2011 | | 7,6 | | | | | 38% | 1.253 | |
40. | | Joschka und Herr Fischer | 2011 | | 6,8 | 0% | 0% | | | 34% | 1.238 | |
41. | | The Substance – Albert Hofmanns LSD | 2011 | | 7,1 | 0% | 67% | | | 36% | 23 | |
42. | | Fighter | 2016 | | 8,1 | | | | | 41% | 872 | |
43. | | Keep Surfing | 2009 | | 7,3 | 0% | 0% | | | 37% | 18.075 | |
44. | | Ein Hells Angel unter Brüdern | 2014 | | 6,0 | | | | | 30% | 14.502 | |
45. | | Die Familie | 2013 | | 6,7 | 0% | 0% | | | 34% | 348 | |
46. | | Wild Plants | 2016 | | 6,7 | 0% | 0% | | | 34% | | |
47. | | Das Versprechen | 2016 | | 7,1 | 0% | 86% | | | 36% | 1.199 | |
48. | | Winternomaden | 2012 | | 7,5 | 0% | 100% | 77,0 | | 58% | 825 | |
49. | | Untitled | 2017 | | 7,4 | | | | | 37% | 1.857 | |
50. | | I Want to Run – Das härteste Rennen der Welt | 2011 | | 6,9 | | | | | 35% | 2.271 | |
51. | | African Mirror | 2019 | | 6,3 | | | | | 32% | 199 | |
52. | | Bowling for Columbine | 2002 | | 8,0 | 0% | 82% | 72,0 | 6,9 | 58% | 6.135 | 2003 |
53. | | Democracy – Im Rausch der Daten | 2015 | | 7,1 | | | | | 36% | 1.393 | |
54. | | We Are All Detroit – Vom Bleiben und Verschwinden | 2021 | | 6,8 | | | | | 34% | | |
55. | | Was bin ich wert? | 2014 | | 6,8 | 0% | 0% | | | 34% | 0 | |
56. | | Mein Herz sieht die Welt schwarz | 2009 | | 7,9 | 0% | 0% | | | 40% | | |
57. | | Erde | 2019 | | 7,1 | | | | | 36% | 1.051 | |
58. | | Die Nordsee von oben | 2011 | | 7,2 | 0% | 0% | | | 36% | 10.004 | |
59. | | Der Iran Job | 2012 | | 7,1 | 89% | 75% | | | 36% | 2.827 | |
60. | | Klitschko | 2011 | | 7,7 | 0% | 84% | | | 39% | 6.997 | |
61. | | Im Ring | 2019 | | 8,3 | | | | | 42% | | |
62. | | Das System Milch | 2017 | | 7,1 | | | | | 36% | | |
63. | | Das Ding am Deich – Vom Widerstand gegen ein Atomkraftwerk | 2012 | | | 0% | 0% | | | 50% | 207 | |
64. | | Der Fall Chodorkowski | 2011 | | 7,0 | | | | | 35% | 132 | |
65. | | Aber das Leben geht weiter | 2011 | | -1,0 | | | | | -5% | | |
66. | | Die Gabe zu heilen | 2017 | | | | | | | 50% | | |
67. | | Neukölln Unlimited | 2010 | | 7,2 | 0% | 0% | | | 36% | 1.877 | |
68. | | Pianomania | 2009 | | 7,5 | 76% | 81% | | | 38% | 0 | |
69. | | Drachenmädchen | 2012 | | 7,3 | 0% | 78% | | | 37% | 2.027 | |
70. | | Zero Days | 2016 | | 7,8 | 0% | 74% | 78,0 | 7,3 | 61% | 0 | |
71. | | Until the Light Takes Us | 2008 | | 7,1 | 48% | 57% | | | 36% | 0 | |
72. | | It Must Schwing – The Blue Note Story | 2018 | | 7,7 | 0% | 0% | | | 39% | | |
73. | | Die Thomaner | 2012 | | 7,7 | | | | | 39% | 551 | |
74. | | Die Kinder sind tot | 2003 | | 7,5 | | | | | 38% | | |
75. | | When Tomatoes Met Wagner | 2019 | | 6,4 | | | | | 32% | 657 | |
76. | | Nanga Parbat | 1953 | | 7,3 | | | | | 37% | | |
77. | | Beerland | 2013 | | 6,5 | 0% | 0% | | | 33% | 620 | |
78. | | BRASCH – Das Wünschen und das Fürchten | 2011 | | 6,5 | 0% | 0% | | | 33% | | |
79. | | Searching for Sugar Man | 2012 | | 8,2 | 0% | 92% | 79,0 | 8,3 | 65% | 35.237 | 2013 |
80. | | Wochenendkrieger | 2013 | | 6,6 | 0% | 0% | | | 33% | 3.216 | |
81. | | Steve Jobs: The Lost Interview | 2012 | | 8,0 | 100% | 84% | | | 40% | 188.253 | |
82. | | Die Kunst der Stille | 2022 | | | | | | | 50% | | |
83. | | Myanmarket | 2017 | | -1,0 | | | | | -5% | | |
84. | | Herr Wichmann aus der dritten Reihe | 2012 | | 7,2 | 0% | 0% | | | 36% | 207 | |
85. | | Blacktape | 2015 | | 5,7 | 0% | 0% | | | 29% | 2.254 | |
86. | | Nostalgia de la luz – Heimweh nach den Sternen | 2010 | | 7,6 | 0% | 84% | | | 38% | 2.569 | |
87. | | Das Salz der Erde | 2014 | | 8,5 | 0% | 90% | 83,0 | 8,3 | 71% | 0 | |
88. | | Berlin – Die Sinfonie der Großstadt | 1927 | | 7,6 | 0% | 0% | | | 38% | | |
89. | | O.J. Simpson: Made in America | 2016 | | 8,9 | 0% | 0% | | | 45% | 4.728 | 2017 |
90. | | Scala Adieu – Von Windeln verweht | 2018 | | 8,1 | | | | | 41% | 761 | |
91. | | Der Kuaför aus der Keupstraße | 2015 | | 6,4 | | | | | 32% | 388 | |
92. | | Der große Demokrator | 2013 | | 6,6 | | | | | 33% | 205 | |
93. | | Das Herz von Jenin | 2008 | | 7,8 | | | | | 39% | 539 | |
94. | | The Act of Killing | 2012 | | 8,2 | 95% | 85% | 89,0 | 8,3 | 73% | 23.109 | |
95. | | An Impossible Project | 2020 | | 7,1 | | | | | 36% | | |
96. | | Die Kinder vom Napf | 2011 | | 6,5 | 0% | 0% | | | 33% | | |
97. | | 1917 – Der wahre Oktober | 2017 | | 7,0 | | | | | 35% | 277 | |
98. | | Passion for Planet | 2016 | | 6,9 | | | | | 35% | 484 | |
99. | | Brecht | 2019 | | 6,2 | | | | | 31% | | |
100. | | Herr von Bohlen | 2015 | | 7,1 | | | | | 36% | | |