Die letzte Entscheidung

1952

Above and Beyond is a 1952 American war film about Lt. Col. Paul W. Tibbets Jr., the pilot of the aircraft that dropped the atomic bomb on Hiroshima in August 1945.

Directed by Melvin Frank and Norman Panama, it stars Robert Taylor as Tibbets and features a love story with Eleanor Parker as his wife. James Whitmore plays security officer Major Bill Uanna. The story of the dropping of the atomic bomb is treated as a docudrama with an effort to recreate the training and operational aspects of the military units involved in the Hiroshima mission.[3]

Col. Paul W. Tibbets Jr. (Robert Taylor) is assigned to a dangerous mission in testing a new bomber, the Boeing B-29 Superfortress. The perilous assignment has caused his wife Lucy (Eleanor Parker) to worry for his life and whether their marriage can survive the constant separations.

After a year of scrutiny, Maj. Gen. Vernon C. Brent (Larry Keating) who not only championed Tibbets as a test pilot, selects him to lead a new unit in the Pacific war, flying the B-29, armed with a new secret weapon. Scientists of the "Manhattan Project" explain what is "the best kept secret of the war," the atomic bomb. Along with Maj. Bill Uanna (James Whitmore), the only other person who knows what the mission will entail, Tibbets is expected to keep strict discipline over the personnel assigned to a B-29 conversion unit at Wendover Field, Utah.

When families of crew members are brought to Wendover, tensions erupt in the Tibbets family due to Lucy's attitude towards her husband's secrecy concerning the mission, as the decision to use the atomic bomb has been made. Flying out to the Pacific island base of Tinian, the B-29 designated for the Hiroshima bombing is named the Enola Gay.[Note 1] Although the mission is a success, as he wrests the aircraft around to escape the aftershock, the realization of the devastation is brought home as Tibbets sees the flash of the bomb and the subsequent atomic blast. Back on Tinian, the crew is mobbed and although a second mission is mounted, the war has been decided by the actions of the B-29 bombers. Tibbets finally returns home, flying first to Washington where he has a joyous reunion with his wife.

The film was suggested by screenwriter Beirne Lay Jr., a Colonel in the Air Force Reserve, to General Curtis LeMay, then commander of the Strategic Air Command (SAC), who had discussed with Lay the problem of the high rate of divorce among flight crews. A film depicting the problems might help raise morale.[6]

Lay suggested a film based on the experiences of Colonel Paul Tibbets, commander of the 509th Composite Group during World War II. LeMay approved, and after writing an outline, Lay handed over scriptwriting duties to Melvin Frank and Norman Panama.[7] Although Tibbets gave his full approval and support to the film, he felt he was too closely involved to be objective, and suggested Lt. Col. Charles F.H. Begg, commander of the nuclear ordnance squadron, and Charles Sweeney,[8] pilot on the follow-up Nagasaki mission, as technical advisors.[5] Ultimately, Begg, Major Norman W. Ray (ret'd.) and Major James B. Bean served as USAF technical advisors.[9][Note 4]

Dore Schary of MGM said "It wasn't the yarn that intrigued me but the people and their problems in it."[11]

It was originally called Eagle on His Cap. [12]

Principal photography began on February 5, 1952, at the Culver City studios before transferring to Davis–Monthan Air Force Base that was predominantly utilized for the airfield scenes of Wendover Air Force Base, Boeing's Wichita testing area and even Tinian Island. The production wound up on March 26, 1952.[13] For dramatic effect, some incidents were somewhat exaggerated, such as the scene in which the Hiroshima bomb is armed in mid-flight. The filmmakers added some turbulence to increase tension, although in fact the flight was perfectly smooth throughout. In addition, the entire mission was filmed in daylight, although actual takeoff from Tinian was in full darkness at 2:45 in the morning. However, the scene in which Tibbet's wife calls over one of the men in white coats that she was told by her husband were "sanitary engineers", but were in fact nuclear scientists from Los Alamos, to help her repair a drain, was true.[14]

When initial reviews came in, Taylor's performance in Above and Beyond was considered the "finest performance of his career to date".[15] Taylor was also proud of his accomplishments in the film and urged MGM to allow him to promote the film on television. Taylor and Tibbets appeared together on Ed Sullivan's Toast of the Town show in order to promote the film, an unusual step at a time when the major Hollywood studios disapproved of its stars appearing on television, which they saw as a threat.[Note 5] Although the studio was hesitant about the television appearance, the publicity gained was important to the film's initial success.[15]

Above and Beyond received generally favourable reviews.[17] The New York Times critic Bosley Crowther found the military elements of the film superior to its focus on the relationship between Tibbets and his wife. He liked Taylor in the military scenes, but not in the scenes concerning his marriage and found Parker to be "utterly theatrical."[18][Note 6] Reviewer Robert Parish considered the film a comprehensive if lengthy account that was a "too meticulous detail-by-detail presentation," and considered Parker's performance "overwrought".[7] Although considered an aviation classic due to its subject matter focusing on the mission of the "Enola Gay", aviation film historians considered the flying sequences to be limited, and that the romance scenes "got in the way".[20]

Above and Beyond was named one of the year's 10 best films by the National Board of Review, and celebrity and film columnist Louella Parsons, chose it as the "Best Drama of the Month" in Cosmopolitan.[3] Leonard Maltin considered the film, "a meaningful account" of an important event.[21] A more tepid later review by Alun Evans, noted the film was "pretty boring fare, but the right kind of Hollywood fodder for the days of McCarthy and Stalin".[22]

According to MGM records, the film earned $2,647,000 in the US and Canada and $1,333,000 overseas, resulting in a profit of $1,037,000.[2]

Above and Beyond was nominated for two Academy Awards: Best Original Motion Picture Story for Beirne Lay Jr. and Best Scoring of a Dramatic Picture for Hugo Friedhofer.[23]

Quelle: Wikipedia(englisch)
Kinostart:1952
weitere Titel:
Above and Beyond id ast
Le Grand Secret
Il prezzo del dovere
Die letzte Entscheidung
決戦攻撃命令
Genre:Filmbiografie, Filmdrama
Herstellungsland:Vereinigte Staaten
Originalsprache:Englisch
Farbe:Schwarzweiß
IMDB: 978
Verleih:Loew’s, Inc.
Regie:Melvin Frank
Norman Panama
Drehbuch:Melvin Frank
Kamera:Ray June
Musik:Hugo Friedhofer
Produzent:Melvin Frank
Darsteller:Robert Taylor
Eleanor Parker
James Whitmore
Larry Keating
Larry Gates
Marilyn Erskine
Stephen Dunne
Hayden Rorke
Lawrence Dobkin
Jim Backus
Harlan Warde
Jeff Richards
John Pickard
Robert Burton
Barbara Ruick
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Rezensionen:

1954
Academy Awards
Oscar
Best Writing, Motion Picture Story
Nominiert
1954
Academy Awards
Oscar
Best Music, Scoring of a Dramatic or Comedy Picture
Nominiert
1954
Directors Guild of America, USA
DGA Award
Outstanding Directorial Achievement in Motion Pictures
Nominiert
1954
Writers Guild of America, USA
WGA Award (Screen)
Best Written American Drama
Nominiert
1952
National Board of Review, USA
NBR Award
Top Ten Films
Gewinner
Datenstand: 17.10.2019 14:49:17Uhr