Die Gelüste des Hieronymus


Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? is a 1969 British musical film directed by and starring Anthony Newley.[3]

Newley played the autobiographical title role of Merkin, an internationally successful singer approaching middle age who retells his life story in a series of production numbers on a seashore in front of his two toddlers (played by Newley's actual children Tara and Alexander) and aged mother. The film largely concerns Merkin's promiscuous relationships with women, particularly Polyester Poontang (played by Newley's wife Joan Collins) and the adolescent Mercy Humppe (Playboy centerfold Connie Kreski). Merkin compares the relationship with Mercy Humppe to that of Humbert Humbert and Lolita.

Merkin is constantly surrounded by a Satan-like procurer, Goodtime Eddie Filth (Milton Berle), and an angelic 'Presence' (George Jessel) who interrupts Merkin's biography with cryptic Borscht Belt-level jokes to denote births and deaths in Merkin's life. Newley periodically steps out of character to complain about his 'Merkin' role with an unseen director (voiced by Newley), two screenwriters, the film's producers and a trio of blasé movie critics who are turned off by the story's eroticism and lack of plot.

Quelle: Wikipedia(englisch)
weitere Titel:
Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? ast
Die Gelüste des Hieronymus
Herstellungsland:Vereinigtes Königreich
IMDB: 382
Verleih:Universal Studios
Regie:Anthony Newley
Kamera:Otto Heller
Schnitt:Dorothy Spencer
Darsteller:Connie Kreski
Joan Collins
Milton Berle
George Jessel
Bruce Forsyth
Anthony Newley
Patricia Hayes
Stubby Kaye
Tom Stern
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Writers' Guild of Great Britain
Writers' Guild of Great Britain Award
Best British Original Screenplay
Datenstand: 08.05.2022 10:08:48Uhr