1. | | La Bande à Bebel | 1966 | | -1,0 | | | | | -5% | | |
2. | | The Dawn Fraser Story | 1964 | | -1,0 | | | | | -5% | | |
3. | | Tageskurs 1:4 | 1958 | | -1,0 | | | | | -5% | | |
4. | | Personal Dream Space | 2020 | | -1,0 | | | | | -5% | | |
5. | | Was tun | 2020 | | -1,0 | | | | | -5% | | |
6. | | Une nuit au cirque | 2010 | | -1,0 | | | | | -5% | | |
7. | | Au loin des villages | 2008 | | -1,0 | | | | | -5% | | |
8. | | Land | 2021 | | -1,0 | | | | | -5% | | |
9. | | Reich werden im Irak – Kapitalismus für Anfänger | 2014 | | -1,0 | 0% | 0% | | | -5% | | |
10. | | The Glory Guys: Passion & Poetry - Senta & Sam | 2016 | | -1,0 | | | | | -5% | | |
11. | | Tulip Time: The Rise and Fall of the Trio Lescano | 2008 | | -1,0 | | | | | -5% | | |
12. | | Les Sucriers de Colleville | 2003 | | -1,0 | | | | | -5% | | |
13. | | Laßt uns Zeit … Montessoripädagogik à la Hans Elsner | 1993 | | -1,0 | | | | | -5% | | |
14. | | Je ne suis pas moi-même | 2007 | | -1,0 | | | | | -5% | | |
15. | | The Forgotten District | 2008 | | -1,0 | | | | | -5% | | |
16. | | Brazil: Cinema, Sex and the Generals | 1985 | | -1,0 | | | | | -5% | | |
17. | | Like a Pebble in the Boot | 2017 | | -1,0 | | | | | -5% | | |
18. | | Zwischen 2 Welten | 1999 | | -1,0 | | | | | -5% | | |
19. | | After the Ballot | 2008 | | -1,0 | | | | | -5% | | |
20. | | The Strait Guys | 2022 | | -1,0 | | | | | -5% | | |
21. | | Kultourhelden - Vom Ende einer Ära | 2021 | | -1,0 | | | | | -5% | | |
22. | | Jazz Is My Native Language | 1983 | | -1,0 | | | | | -5% | | |
23. | | Inside the Square | 2009 | | -1,0 | | | | | -5% | | |
24. | | A Challenge to Democracy | 1944 | | -1,0 | | | | | -5% | | |
25. | | A Brother With Perfect Timing | 1987 | | -1,0 | | | | | -5% | | |
26. | | Gottes Plan und Menschen Hand | 2003 | | -1,0 | | | | | -5% | | |
27. | | Pablo Picasso: Réminiscences | 1989 | | -1,0 | | | | | -5% | | |
28. | | Die jungen Kadyas | 2022 | | -1,0 | | | | | -5% | | |
29. | | Ich werde reich und glücklich | 2001 | | -1,0 | | | | | -5% | | |
30. | | Following Habeck | 2018 | | -1,0 | | | | | -5% | | |
31. | | Time Apart: A History of Hope | 2008 | | -1,0 | | | | | -5% | | |
32. | | To Sell a War | 1992 | | -1,0 | | | | | -5% | | |
33. | | Cavalcata di mezzo secolo | 1952 | | -1,0 | | | | | -5% | | |
34. | | Supervising Women Workers | 1944 | | -1,0 | | | | | -5% | | |
35. | | L'Ospedale del delitto | 1950 | | -1,0 | | | | | -5% | | |
36. | | Der Pannwitzblick | 1992 | | -1,0 | | | | | -5% | | |
37. | | The Diary of Sacco and Vanzetti | 2004 | | -1,0 | | | | | -5% | | |
38. | | The Missions of California | 2006 | | -1,0 | | | | | -5% | | |
39. | | Everybody Shut Up | 2019 | | -1,0 | | | | | -5% | | |
40. | | Coaling a Steamer, Nagasaki Bay, Japan | 1901 | | -1,0 | | | | | -5% | | |
41. | | Musique(s) électronique(s) : les bruitistes et leur descendance | 2013 | | -1,0 | | | | | -5% | | |
42. | | L'intérêt général & moi | 2016 | | -1,0 | | | | | -5% | | |
43. | | Mahendra Highway | 2022 | | -1,0 | | | | | -5% | | |
44. | | Jacques Prévert | 1977 | | -1,0 | | | | | -5% | | |
45. | | 5000 Miles | 2006 | | -1,0 | | | | | -5% | | |
46. | | Aber das Leben geht weiter | 2011 |  | -1,0 | | | | | -5% | | |
47. | | Journal de Rivesaltes 1941–1942 | 1997 | | -1,0 | | | | | -5% | | |
48. | | La montagne est verte | 1950 | | -1,0 | | | | | -5% | | |
49. | | Есен | 1967 | | -1,0 | | | | | -5% | | |
50. | | Muvart | 2005 | | -1,0 | | | | | -5% | | |
51. | | Lifestories: The Lost Boys of Sudan | 2008 | | -1,0 | | | | | -5% | | |
52. | | Nord-sud.com | 2008 | | -1,0 | | | | | -5% | | |
53. | | Fighting Norway | 1943 | | -1,0 | | | | | -5% | | |
54. | | Postadresse 2640 Schlöglmühl | 1990 | | -1,0 | | | | | -5% | | |
55. | | Following the Flag in Mexico | 1916 | | -1,0 | | | | | -5% | | |
56. | | Salvando la humanidad (Nuestros médicos) | 1936 | | -1,0 | | | | | -5% | | |
57. | | Le Conquérant de l'inutile | 1966 | | -1,0 | | | | | -5% | | |
58. | | Healers for All Reasons | 2005 | | -1,0 | | | | | -5% | | |
59. | | L’Enfer | 1964 | | -1,0 | | | | | -5% | | |
60. | | Fatima - Ein kurzes Leben | 2021 | | -1,0 | | | | | -5% | | |
61. | | All Hell Broke Loose | 1995 | | -1,0 | | | | | -5% | | |
62. | | Une foule enfin réunie | 1964 | | -1,0 | | | | | -5% | | |
63. | | Charley’s Girls | 2005 | | -1,0 | | | | | -5% | | |
64. | | Rauliens Revier | 1995 | | -1,0 | | | | | -5% | | |
65. | | Der Geister-Tanz | 2010 | | -1,0 | | | | | -5% | | |
66. | | Wie informiert das Fernsehen | 1974 | | -1,0 | | | | | -5% | | |
67. | | The Human Boundaries | 2012 | | -1,0 | | | | | -5% | | |
68. | | Perfekte Mädchen – Der Traum vom Tanzen | 2010 | | -1,0 | | | | | -5% | | |
69. | | Sexy nel mondo | 1964 | | -1,0 | | | | | -5% | | |
70. | | Endlich Unendlich | 2021 | | -1,0 | | | | | -5% | | |
71. | | Beautiful Me(s): Finding Our Revolutionary Selves | 2008 | | -1,0 | | | | | -5% | | |
72. | | Fliegen wirst du noch! | 2007 | | -1,0 | | | | | -5% | | |
73. | | David With F.A.S. | 1997 | | -1,0 | | | | | -5% | | |
74. | | Im Biblischen Zoo von Jerusalem | 2016 | | -1,0 | | | | | -5% | | |
75. | | The Fourth Estate: A Film of a British Newspaper | 1940 | | -1,0 | | | | | -5% | | |
76. | | ¡Compañeros! | 2004 | | -1,0 | | | | | -5% | | |
77. | | Amazonia for Sale | 2010 | | -1,0 | | | | | -5% | | |
78. | | So weit - Der Film | 2021 | | -1,0 | | | | | -5% | | |
79. | | Leben 16 | 2004 | | -1,0 | | | | | -5% | | |
80. | | PetroApocalypse Now? | 2008 | | -1,0 | | | | | -5% | | |
81. | | Myanmarket | 2017 |  | -1,0 | | | | | -5% | | |
82. | | Exhibition on Screen: Pissarro, Vater des Impressionismus | 2022 | | -1,0 | | | | | -5% | | |
83. | | A Glimpse of De Kooning | 1961 | | -1,0 | | | | | -5% | | |
84. | | White and black | 2010 | | -1,0 | | | | | -5% | | |
85. | | The Connected Baby | 2011 | | -1,0 | | | | | -5% | | |
86. | | Des temps morts | 2009 | | -1,0 | | | | | -5% | | |
87. | | La rabbia | 2000 | | -1,0 | | | | | -5% | | |
88. | | In another world | 2009 | | -1,0 | | | | | -5% | | |
89. | | Odio | 1993 | | -1,0 | | | | | -5% | | |
90. | | Haiti: Harvest of Hope | 1994 | | -1,0 | | | | | -5% | | |
91. | | 300 jours de colère | 2002 | | -1,0 | | | | | -5% | | |
92. | | Tillitsmannen | 1976 | | -1,0 | | | | | -5% | | |
93. | | Buy me – Kauf mich! | 2011 | | -1,0 | | | | | -5% | | |
94. | | Blood Is Not Fresh Water | 1997 | | -1,0 | | | | | -5% | | |
95. | | Exposing Homelessness | 2006 | | -1,0 | | | | | -5% | | |
96. | | Koukan Kourcia | 2011 | | -1,0 | | | | | -5% | | |
97. | | First Ink | 2009 | | -1,0 | | | | | -5% | | |
98. | | Fellowship of the Andes | 2006 | | -1,0 | | | | | -5% | | |
99. | | Thomas Bernhard – Die Kunstnaturkatastrophe | 2011 | | -1,0 | 0% | 0% | | | -5% | | |
100. | | Estilo Hip Hop | 2009 | | -1,0 | | | | | -5% | | |