1. | | Von Caligari zu Hitler | 2014 | | 7,3 | 0% | 78% | | | 37% | 1 | |
2. | | Peter Pfister – Der Pferdemann | 2019 | | | | | | | 50% | 1 | |
3. | | Baden-Württemberg von oben | 2015 | | 6,8 | | | | | 34% | 2 | |
4. | | Vom Leben überholt | 2019 | | 6,3 | | | | | 32% | 3 | |
5. | | The Spy Who Fell to Earth | 2019 | | 6,5 | | | | | 33% | 4 | |
6. | | Zentralflughafen THF | 2018 | | 6,4 | 0% | 0% | | | 32% | 4 | |
7. | | Auch Leben ist eine Kunst - Der Fall Max Emden | 2019 | | 0,0 | | | | | 0% | 5 | |
8. | | Don't Give a Fox | 2019 | | 7,6 | | | | | 38% | 13 | |
9. | | Exodus – Der weite Weg | 2017 | | 7,5 | | | | | 38% | 17 | |
10. | | The Eyes of Tammy Faye | 2000 | | 7,1 | 86% | 72% | | | 36% | 20 | |
11. | | Silvana - Eine Pop-Love-Story | 2017 | | 7,1 | | | | | 36% | 20 | |
12. | | Herkules | 2017 | | | | | | | 50% | 22 | |
13. | | The Substance – Albert Hofmanns LSD | 2011 | | 7,1 | 0% | 67% | | | 36% | 23 | |
14. | | Anne Frank – Zeitzeugen erinnern sich | 1995 | | 8,1 | 0% | 83% | | | 41% | 27 | 1996 |
15. | | Chamissos Schatten – Eine Reise zur Beringsee in drei Kapiteln | 2016 | | 7,8 | | | | | 39% | 29 | |
16. | | Shooting the Mafia | 2019 | | 6,8 | | | | | 34% | 33 | |
17. | | Das Schiff des Torjägers | 2010 | | 6,6 | 0% | 0% | | | 33% | 35 | |
18. | | Sing Your Song | 2011 | | 7,5 | 0% | 78% | | | 38% | 38 | |
19. | | grenzenlos – Geschichten von Freiheit & Freundschaft | 2018 | | 0,0 | | | | | 0% | 42 | |
20. | | Therapie für Gangster | 2018 | | 0,0 | | | | | 0% | 50 | |
21. | | Marvin Hamlisch: What He Did for Love | 2013 | | 7,5 | | | | | 38% | 55 | |
22. | | Geniale Göttin – Die Geschichte von Hedy Lamarr | 2017 | | 7,4 | 0% | 85% | | | 37% | 56 | |
23. | | Romantic Comedy | 2019 | | 5,9 | | | | | 30% | 63 | |
24. | | Das Lied des Lebens | 2013 | | 0,0 | 0% | 0% | | | 0% | 88 | |
25. | | Barstow, California | 2018 | | 7,4 | | | | | 37% | 93 | |
26. | | Der sechste Kontinent | 2018 | | | | | | | 50% | 93 | |
27. | | Family Business | 2015 | | | | | | | 50% | 94 | |
28. | | DramaConsult | 2013 | | 0,0 | 0% | 0% | | | 0% | 95 | |
29. | | Street Fight | 2005 | | 7,9 | 100% | 92% | | | 40% | 96 | |
30. | | Ü100 | 2017 | | -1,0 | | | | | -5% | 96 | |
31. | | Himmelverbot | 2015 | | 8,1 | 0% | 0% | | | 41% | 99 | |
32. | | Sadhu – Auf der Suche nach der Wahrheit | 2012 | | 6,8 | 0% | 0% | | | 34% | 99 | |
33. | | Furusato – Wunde Heimat | 2016 | | 7,1 | | | | | 36% | 100 | |
34. | | Im Krieg – Der 1. Weltkrieg in 3D | 2014 | | 6,9 | | | | | 35% | 106 | |
35. | | Die vergessene Armee | 2017 | | 7,4 | | | | | 37% | 123 | |
36. | | Playland USA | 2019 | | 7,3 | | | | | 37% | 128 | |
37. | | Die Zukunft gehört uns | 2014 | | | | | | | 50% | 128 | |
38. | | Alpgeister – Mythen und Mysterien der Bayerischen Alpen | 2019 | | | | | | | 50% | 128 | |
39. | | Super Friede Liebe Love | 2017 | | -1,0 | | | | | -5% | 129 | |
40. | | The Big Eden | 2011 | | 7,3 | 0% | 0% | | | 37% | 131 | |
41. | | Der Fall Chodorkowski | 2011 | | 7,0 | | | | | 35% | 132 | |
42. | | Die Gewählten | 2015 | | 7,0 | | | | | 35% | 133 | |
43. | | Die Geheimnisse des Schönen Leo | 2018 | | 6,9 | | | | | 35% | 137 | |
44. | | Die Spaßmacher | 2019 | | -1,0 | | | | | -5% | 137 | |
45. | | Feuer bewahren – nicht Asche anbeten | 2016 | | 6,4 | | | | | 32% | 138 | |
46. | | Yoga – Die Kraft des Lebens | 2019 | | 6,3 | | | | | 32% | 138 | |
47. | | Die Bücherjäger | 2017 | | -1,0 | | | | | -5% | 138 | |
48. | | Der Esel hieß Geronimo | 2018 | | 6,9 | | | | | 35% | 140 | |
49. | | Lotte Reiniger – Tanz der Schatten | 2012 | | 6,8 | | | | | 34% | 140 | |
50. | | Treffpunkt Erasmus | 2015 | | | | | | | 50% | 142 | |
51. | | Ambassadors of Hollywood | 2011 | | 9,1 | | | | | 46% | 149 | |
52. | | Aggregat | 2018 | | 6,2 | | | | | 31% | 152 | |
53. | | Kommen Rührgeräte in den Himmel? | 2016 | | 7,0 | | | | | 35% | 153 | |
54. | | Looking for Life | 2019 | | 7,4 | | | | | 37% | 156 | |
55. | | Die Geschichte vom weinenden Kamel | 2003 | | 7,4 | 94% | 87% | 81,0 | 8,6 | 60% | 160 | |
56. | | Borderland Blues | 2016 | | 7,4 | | | | | 37% | 162 | |
57. | | A Man Can Make a Difference | 2015 | | 9,2 | 0% | 0% | | | 46% | 164 | |
58. | | The Visitor | 2014 | | 6,0 | | | | | 30% | 164 | |
59. | | Am Limit | 2007 | | 7,2 | 80% | 76% | 71,0 | | 51% | 165 | |
60. | | A Free Man | 2017 | | | | | | | 50% | 166 | |
61. | | Der illegale Film | 2019 | | | | | | | 50% | 166 | |
62. | | Gestrandet | 2016 | | 6,5 | | | | | 33% | 167 | |
63. | | Unser Team - Nossa Chape | 2018 | | 7,6 | | | | | 38% | 168 | |
64. | | The Art of Moving | 2016 | | 6,9 | | | | | 35% | 168 | |
65. | | The Greatest Ears in Town: The Arif Mardin Story | 2010 | | 7,0 | | | | | 35% | 170 | |
66. | | Chão | 2019 | | 6,7 | | | | | 34% | 170 | |
67. | | Future Works | 2012 | | -1,0 | | | | | -5% | 172 | |
68. | | Die Reise des Akkordeons | 2013 | | 6,9 | 0% | 0% | | | 35% | 173 | |
69. | | Love & Engineering | 2014 | | 6,0 | 0% | 17% | | | 30% | 175 | |
70. | | Letter to Theo | 2019 | | 7,5 | | | | | 38% | 176 | |
71. | | Die Hälfte der Stadt | 2015 | | 6,1 | | | | | 31% | 178 | |
72. | | Die Hüter der Tundra | 2013 | | 6,4 | | | | | 32% | 183 | |
73. | | Mein Name und Ich | 2013 | | | | | | | 50% | 183 | |
74. | | El Séptimo Sentido – I am a dancer. Von der Kunst zu leben | 2017 | | -1,0 | | | | | -5% | 185 | |
75. | | Der letzte Jolly Boy | 2018 | | | | | | | 50% | 190 | |
76. | | Die Schule auf dem Zauberberg | 2019 | | 6,1 | | | | | 31% | 191 | |
77. | | Work Hard – Play Hard | 2011 | | 6,9 | 0% | 56% | | | 35% | 193 | |
78. | | Shot in the Dark | 2017 | | 7,5 | | | | | 38% | 197 | |
79. | | You drive me crazy | 2012 | | 6,9 | 0% | 60% | | | 35% | 199 | |
80. | | Berlin Excelsior | 2017 | | 6,6 | | | | | 33% | 199 | |
81. | | African Mirror | 2019 | | 6,3 | | | | | 32% | 199 | |
82. | | Prisoner of Her Past | 2010 | | 8,1 | 0% | 0% | | | 41% | 200 | |
83. | | Der Stein zum Leben | 2019 | | -1,0 | | | | | -5% | 202 | |
84. | | Tardi – Schwarz auf Weiß | 2014 | | | | | | | 50% | 203 | |
85. | | Der große Demokrator | 2013 | | 6,6 | | | | | 33% | 205 | |
86. | | Herr Wichmann aus der dritten Reihe | 2012 | | 7,2 | 0% | 0% | | | 36% | 207 | |
87. | | Das Ding am Deich – Vom Widerstand gegen ein Atomkraftwerk | 2012 | | | 0% | 0% | | | 50% | 207 | |
88. | | Die Grube | 2019 | | 8,0 | | | | | 40% | 209 | |
89. | | Familie Haben | 2015 | | 8,3 | | | | | 42% | 214 | |
90. | | Striche ziehen | 2015 | | 6,4 | | | | | 32% | 216 | |
91. | | Arbeit macht das Leben süß, Faulheit stärkt die Glieder | 2015 | | -1,0 | | | | | -5% | 218 | |
92. | | The Mosuo Sisters | 2012 | | 7,5 | | | | | 38% | 221 | |
93. | | Michael Haneke – Porträt eines Film-Handwerkers | 2013 | | 7,0 | | | | | 35% | 222 | |
94. | | Seht mich verschwinden | 2014 | | 6,4 | | | | | 32% | 224 | |
95. | | Revolution of Sound. Tangerine Dream | 2017 | | 7,7 | | | | | 39% | 225 | |
96. | | Lucica und ihre Kinder | 2018 | | 0,0 | | | | | 0% | 226 | |
97. | | Hotel Jugoslavija | 2017 | | 6,9 | | | | | 35% | 229 | |
98. | | Altman | 2014 | | 6,8 | 0% | 66% | | | 34% | 231 | |
99. | | Full Metal Village | 2006 | | 7,1 | | | | | 36% | 251 | |
100. | | Kolyma | 2017 | | 7,8 | | | | | 39% | 254 | |